La Porta Rossa S03e04
La Repubblica's Antonio Dipollina opined that La porta rossa is "the only [Italian] mainstream TV crime series that resembles genre literature and not a mainstream TV drama". Vanity Fair Italia's Mario Manca wrote that the series, characterized by "intrigues to unravel, pending loves to clarify and a quadrille of twists to cushion", "stage[s] a story of borders, of limits, of universes and of conflicts like we haven't seen in a long time. The adventures of the Ghost-style ghost played by Lino Guanciale, strong and magnetic even though transparent and in the form of an ectoplasm, in fact, possess something magical, a sort of intrinsic strength". TVBlog's Paolo Stura believed that "[its] ability to masterfully blend supernatural and crime without damaging none of the two genres is something that must serve as a lesson to those who want to propose stories with a new flavour".
La Porta Rossa s03e04
Movieplayer's Stefano Cocci gave the first season 3.5 stars out of 5, defining it as "an important experiment in the production landscape of Italian fiction". He praised the "modern and demanding" visuals and the narrative that "plays on the alternation of thriller, noir, romance and fantasy, often finding a resource in the alternating editing that underlines the highlight of each episode. Actors and actresses often move at night in a Trieste whipped by wind and rain, while the dark places of the characters' souls twist in the half-light where nothing is what it seems."
The series premiere of La porta rossa on February 22, 2017 was the most watched program of the night, amassing 3.284 million viewers, or a 13% rating, more than double the network average. The ratings continued to rise episode after episode, and the penultimate one of the first season recorded a 14.4% viewership rating with 3.399 million viewers. The series was one of the most streamed programs on RaiPlay as well. Its audience was mainly composed of females (63%), while 62% of the viewers were over 55.
La porta rossa won an award at the 2018 ShorTS International Film Festival for promoting Trieste in Italy and worldwide. Its soundtrack was a contender for Best Original Score and Best Song for Film at the 2017 Tenerife International Film Music Festival.
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